"The genie is out of the bottle" [Photo: Pinterest] |
Who would have ever imagined that ayahuasca, the enigmatic jungle potion William S. Burroughs once referred to as “the secret”[1] and whose very botanical identity was a matter of debate through the mid-twentieth century[2] would, within a matter decades, become a household (or at least, yoga-mat) word; the subject of hundreds of scientific, anthropological, and medical studies; a magnet for international tourism; the motor behind a global religious diaspora, and the victorious plaintiff in absentia of an historic Supreme Court case?
The rhyme “herbal brew”/“bamboo” in Paul Simon’s 1990 ayahuasca-inspired song “Spirit Voices” already rings of kitsch, but there is still something, if not fresh, then at least compelling about Sting in his biography Broken Music,[3] revealing that “ayahuasca has brought me close to something, something fearful and profound and deadly serious.” But by the time Lindsay Lohan confides to a reality TV host in April of 2015 that ayahuasca helped her “let go of past things… it was intense,”[4] Burroughs’s “final fix” has finally entered the realm of cliché.
How did this happen? What is the special appeal of this bitter Amazonian brew in the post-post-modern global village toolbox of self-realization? How has it fared in the bustling marketplace of New Age spiritual entrepreneurism and on the battleground of the War on Drugs? And what does it all mean for the multiple, religiously and socially diverse communities and individuals who consume ayahuasca, as well as various ayahuasca-like analogs, around the world?
We can think of the global ayahuasca expansion of the past two decades as a kind of second wave to the psychedelic revolution, following upon that other, “fantastic universal… inevitable… high and beautiful wave,” Hunter S. Thompson describes as cresting in the mid-1960s only to crash so quickly, and so disappointingly:
So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high-water mark—that place where the wave finally broke and rolled back[5]…
"Wave of the Future" |
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Excerpted from: "Ayahuasca in the Twenty-First Century: Having it Both Ways"[6], in:
edited by Beatriz Caiuby Labate, Clancy Cavnar & Alex. K. Gearin
Related links from this blog:
Agony and ecstasy in the Amazon
Return of the secret shaman
Dream tobacco
The cheerful pessimist
Chronicle of a death foreclosed
Between the cross and the Pleiades
Agony and ecstasy in the Amazon
Return of the secret shaman
Dream tobacco
The cheerful pessimist
Chronicle of a death foreclosed
Between the cross and the Pleiades
References:
[1] Burroughs, W. S., & Ginsberg, A. (2006 [1963]). The yage letters: Redux. San Francisco: City Lights Books
[2] Schultes, R. E. (1957). The identity of the malphigaceous narcotics of South America. Botanical Museum Leaflets, Harvard University, 18, 1–56.
[3] Sting. (2005). Broken Music: A Memoir. New York, NY: Dell, p. 18.
[4] Morris, B. (2014) Ayahuasca: A strong cup of tea. The New York Times, June 13, p. ST1.
[5] Thompson, H. S. (1998 [1971]). Fear and Loathing in Las Vegas. New York, NY: Random House/Vintage Books, p. 68.
[6] Shepard, G.H. Jr. (2017). Ayahuasca in the Twenty-First Century: Having it both ways. In: B.C. Labate, C. Cavnar & A.K. Gearin (eds.), The World Ayahuasca Diaspora: Reinventions and Controversies. New York: Routledge.
[1] Burroughs, W. S., & Ginsberg, A. (2006 [1963]). The yage letters: Redux. San Francisco: City Lights Books
[2] Schultes, R. E. (1957). The identity of the malphigaceous narcotics of South America. Botanical Museum Leaflets, Harvard University, 18, 1–56.
[3] Sting. (2005). Broken Music: A Memoir. New York, NY: Dell, p. 18.
[4] Morris, B. (2014) Ayahuasca: A strong cup of tea. The New York Times, June 13, p. ST1.
[5] Thompson, H. S. (1998 [1971]). Fear and Loathing in Las Vegas. New York, NY: Random House/Vintage Books, p. 68.
[6] Shepard, G.H. Jr. (2017). Ayahuasca in the Twenty-First Century: Having it both ways. In: B.C. Labate, C. Cavnar & A.K. Gearin (eds.), The World Ayahuasca Diaspora: Reinventions and Controversies. New York: Routledge.
Glenn, thanks for the great post and interesting read. When Lindsay Lohan is jumping on the bandwagon, that's a sign things are getting problematic. How long before Justin Bieber and Miley Cyrus follow?
ReplyDeleteKevin
Dear Kevin, Yes, and indeed Lindsay Lohan may be the least of our worries. Ayahuasca has entered the mainstream and this is raising lots of interesting questions and dilemmas that echo in some way the "psychedelic revolution" of the 60s. The book takes an honest and yet respectful at all these issues. In any event, fascinating times to be alive. Thanks as always for your comments, Glenn
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ReplyDeleteThank you for the comment however please refrain from posting commercial links on this blog. Thanks!
DeleteGlenn, good point. When celebrities start taking ayahuasca it is just a sign of how mainstream it has now become. This has also happened with Salvia divinorum and Mitragyna speciosa. I'm just afraid that a crackdown from authorities is more likely than acceptance.
ReplyDeleteKevin
The genie is out of the bottle…What’s next? Ayahuasca birthday cakes?
ReplyDeleteLead guitarist Jerry Garcia of the Grateful Dead knew the cake was dosed with 800 hits of LSD. But he ate some of the frosting anyway because it looked good.
A video interview with Jerry about the birthday cake.
https://www.youtube.com/watch?v=grQ8f5oOcY4
Somehow I don't think ayahuasca birthday cake will ever go over (or down...) very well. But that's a great acid birthday cake story from Jerry Garcia! What a concept: "Play for your life". Thanks for sharing, Glenn.
DeleteSo what do we learn from that?
DeleteMafiosos do like good music. ;D