It was April of 2004 and I was taking part in a large Brazilian scientific expedition to the Yanomami village at Marari, inside the vast binational Yanomami indigenous reserve just across the Venezuelan border from the region where Napoleon Chagnon had worked decades earlier. In fact, Venezuelan Yanomami from the group "Shaki" (Chagnon's Yanomami name) once studied had recently visited Marari. The controversy surrounding Patrick Tierney's book, Darkness in El Dorado, published in 2000, accusing Chagnon and other scientists of misconduct and even genocide, was still roiling the anthropological and indigenous rights communities in the U.S. and South America, although the Yanomami at Marari had no idea about the international scandal that was unfolding in their name.
Ricardo, a Brazilian Protestant missionary who was assisting the scientific team and who has worked with the Yanomami for over 25 years -- apparently becoming in the process more Yanomami than the Yanomami have become Christian -- told me to run and get my camera.
"There's going to be a fight," he said. Then he turned to leave.
"Aren't you going to stay?" I asked.
"Nah, happens all the time. You stay, you're an anthropologist, should be interesting. Call me if anyone gets hurt."
But no one got hurt. Instead, the shouting subsided, the momentary tension dissipated together with the crowd, the men discreetly put away their clubs and the village returned to normal: the public spectacle of a Yanomami duel is as much about containing violence as engaging in it.
What no one remembers about "The Ax Fight" is that there is no ax fight in "The Ax Fight." The sharp edge of the ax, though raised in the climax of the film, is quickly turned around to the blunt side and never deployed, defusing what could have been a lethal turn to the explosive but highly ritualized stick-duel that Timothy Asch captured on film. I guess "The Stick Fight" doesn't have quite the same ring.
Another thing to remember about "The Ax Fight" is that exactly one month after it was filmed on the last day of February in 1971, Second Lieutenant William Calley of the U.S. Army was found guilty for his participation in the massacre of some 500 unarmed Vietnamese civilians at My Lai three years prior. U.S. casualties in Vietnam up to 1971 surpassed 45,000 (one and a half times the current Yanomami population) and total Vietnamese casualties of that war will never be known, though the number is likely over 5 million.
So much for "The Fierce People."
Ricardo, a Brazilian Protestant missionary who was assisting the scientific team and who has worked with the Yanomami for over 25 years -- apparently becoming in the process more Yanomami than the Yanomami have become Christian -- told me to run and get my camera.
"There's going to be a fight," he said. Then he turned to leave.
"Aren't you going to stay?" I asked.
"Nah, happens all the time. You stay, you're an anthropologist, should be interesting. Call me if anyone gets hurt."
But no one got hurt. Instead, the shouting subsided, the momentary tension dissipated together with the crowd, the men discreetly put away their clubs and the village returned to normal: the public spectacle of a Yanomami duel is as much about containing violence as engaging in it.
Weapon and art: Decorating an arrow point, Marari, 2004 |
Another thing to remember about "The Ax Fight" is that exactly one month after it was filmed on the last day of February in 1971, Second Lieutenant William Calley of the U.S. Army was found guilty for his participation in the massacre of some 500 unarmed Vietnamese civilians at My Lai three years prior. U.S. casualties in Vietnam up to 1971 surpassed 45,000 (one and a half times the current Yanomami population) and total Vietnamese casualties of that war will never be known, though the number is likely over 5 million.
So much for "The Fierce People."